Musical Acoustics
- MU00 - Musical Acoustics, REGULAR (not structured)
Description: Contributed session on the topic. - MU01 - Acoustics and psychoacoustics of pipe organs
Joint with: PP
Org. by Jonas Braasch & David Howard
Description: Current research on pipe acoustics, including performance spaces and perception of organ sounds. - MU02 - Brass instrument acoustics
Joint with: PA
Org. by Thomas Moore & Joël Gilbert
Description: Aspects of ancient and modern lip-reed instruments, including perception and synthesis of the sound, the effects of bore shape and mechanical influences, lip motion, and the interaction of the human with the instrument. - MU03 - Interdisciplinary research on the science of singing: A tribute to Johan Sundberg
Joint with: SC
Org. by Annabel Cohen & Sten Ternstrom
Description: For over four decades, interdisciplinarity and excellence have characterized the pioneering research of Johan Sundberg. His energy and scholarship extend to acousticians, psychologists, linguists, musicians, singers, throughout the world. In particular, he has studied and described the singing voice in more ways than anyone else. In this session, we offer a selection of salutary perspectives, some familiar, some fresh, on his field and work. - MU04 - Virtual musical instruments
Org. by Julius Smith III & Antoine Chaigne
Description: Physical, signal-based, and hybrid modeling; implementation of digital algorithms; playability and performance of synthetic instruments. - MU05 - Singing voice and source-filter interaction
Joint with: SC
Org. by Brad Story & Nathalie Henrich
Description: Production and perception aspects related to the singing voice, with emphasis on source-filter interaction, taking into account recent advances in analysis and synthesis models, physiology, and acoustics of vocal techniques. - MU06 - Interaction between instrument and instrumentalist
Org. by Gary Scavone & Xavier Boutillon
Description: Acoustical or mechanical properties of the human playing system (fingers, lips, mouth, etc.), dynamical models of playing gestures, adaptation between the instrument and the gesture. - MU07 - Control of natural and synthetic musical sounds
Org. by Marcelo Wanderley & Jean Kergomard
Description: Aspects of control of musical sound by players and makers, for real as well as virtual instruments, including the use of systems control theory for the study of feedback systems and artificial players. - MU08 - Signal representations and models of musical sounds
Joint with: SP
Org. by James Beauchamp & Bertrand David
Description: Aspects of signal processing models and methods specifically developed for musical sounds, with application to music information retrieval, analysis/synthesis and musical acoustics. - MU09 - Acoustic measurements on wind instruments
Org. by Noam Amir & David Sharp
Description: Techniques used to measure wind instrument characteristics, either in the frequency or time domains, employing single and multiple microphones or other sensors, and addressing issues such as different excitation signals, calibration methods, bandwidth and precision. - MU10 - Edge tone and flue pipes
Org. by Shigeru Yoshikawa & Judit Angster
Description: Fluid dynamical and acoustical measurements, calculations and simulations on the excitation mechanism of flue pipes.
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Organ Concert by Daniel Roth